In an extended description of the religious rites, monastic life, and “superstitions” of the Siamese, de la Loubere cites among other things the wonderful power possessed by the Talapoin (the monks, or the holy
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men of Buddha) over the wild beasts. “The Talapoin of Siam,” he says, “will pass whole weeks in the dense woods under a small awning of branches and palm leaves, and never make a fire in the night to scare away the wild beasts, as all other people do who travel through the woods of this country.” The people consider it a miracle that no Talapoin is ever devoured. The tigers, elephants, and rhinoceroses — with which the neighborhood abounds — respect him; and travellers placed in secure ambuscade have often seen these wild beasts lick the hands and feet of the sleeping Talapoin. “They all use magic,” adds the French gentleman, “and think all nature animated (ensouled); they believe in tutelar geniuses.” But that which seems to shock the author most is the idea which prevails among the Siamese, “that all that man was in his bodily life, he will be after death.” “When the Tartar, which now reigns at China,” remarks de la Loubere, “would force the Chinese to shave their hair after the Tartarian fashion, several of them chose rather to suffer death than to go, they said, into the other world and appear before their ancestors without hair; imagining that they shaved the head of the soul also!” “Now, what is altogether impertinent,” adds the Ambassador, “in this absurd opinion is, that the Orientals attribute the human figure rather than any other to the soul.” Without enlightening his reader as to the particular shape these benighted Orientals ought to select for their disembodied souls, de la Loubere proceeds to pour out his wrath on these “savages.” Finally, he attacks the memory of the old king of Siam, the father of the one to whose court he was sent, by accusing him of having foolishly spent over two million livres in search of the philosopher’s stone. “The Chinese,” he says, “reputed so wise, have for three or four thousand years had the folly of believing in the existence, and of seeking out a universal remedy by which they hope to exempt themselves from the necessity of dying. They base themselves on some foolish traditions, concerning some rare persons that are reported to have made gold, and to have lived some ages; there are some very strongly established facts among the Chinese, the Siamese, and other Orientals, concerning those that know how to render themselves immortal, either absolutely, or in such a manner that they can die no otherwise than by violent death. Wherefore, they name some persons who have withdrawn themselves from the sight of men to enjoy free and peaceable life. They relate wonders concerning the knowledge of these pretended immortals.”
If Descartes, a Frenchman and a scientist, could, in the midst of civilization, firmly believe that such a universal remedy had been found,
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and that if possessed of it he could live at least five hundred years, why are not the Orientals entitled to the same belief? The master-problems of both life and death are still unsolved by occidental physiologists. Even sleep is a phenomenon about whose cause there is a great divergence of opinion among them. How, then, can they pretend to set limits to the possible, and define the impossible?
From the remotest ages the philosophers have maintained the singular power of music over certain diseases, especially of the nervous class. Kircher recommends it, having experienced its good effects in himself, and he gives an elaborate description of the instrument he employed. It was a harmonica composed of five tumblers of a very thin glass, placed in a row. In two of them were two different varieties of wine; in the third, brandy; in the fourth, oil; in the fifth, water. He extracted five melodious sounds from them in the usual way, by merely rubbing his finger on the edges of the tumblers. The sound has an attractive property; it draws out disease, which streams out to encounter the musical wave, and the two, blending together, disappear in space. Asclepiades employed music for the same purpose, some twenty centuries ago; he blew a trumpet to cure sciatica, and its prolonged sound making the fibres of the nerves to palpitate, the pain invariably subsided. Democritus in like manner affirmed that many diseases could be cured by the melodious sounds of a flute. Mesmer used this very harmonica described by Kircher for his magnetic cures. The celebrated Scotchman, Maxwell, offered to prove to various medical faculties that with certain magnetic means at his disposal, he would cure any of the diseases abandoned by them as incurable; such as epilepsy, impotence, insanity, lameness, dropsy, and the most obstinate fevers.

Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.






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