Rosicrucian Doctrines and Tenets | Chapter 31

by | Aug 21, 2011 | Secret Teachings of All Ages

p. 141

TRUSTWORTHY information is unavailable concerning the actual philosophical beliefs, political aspirations, and humanitarian activities of the Rosicrucian Fraternity. Today, as of old, the mysteries of the Society are preserved inviolate by virtue of their essential nature; and attempts to interpret Rosicrucian philosophy are but speculations, anything to the contrary notwithstanding.

Evidence points to the probable existence of two distinct Rosicrucian bodies: an inner organization whose members never revealed their identity or teachings to the world, and an outer body under the supervision of the inner group. In all probability, the symbolic tomb of Christian Rosencreutz, Knight of the Golden Stone, was in reality this outer body, the spirit of which is in a more exalted sphere. For a period of more than a century subsequent to 1614, the outer body circulated tracts and manifestoes under either its own name or the names of various initiated members. The purpose of these writings was apparently to confuse and mislead investigators, and thus effectively to conceal the actual designs of the Fraternity.

When Rosicrucianism became the philosophical “fad” of the seventeenth century, numerous documents on the subject were also circulated for purely commercial purposes by impostors desirous of capitalizing its popularity. The cunningly contrived artifices of the Fraternity itself and the blundering literary impostures of charlatans formed a double veil behind which the inner organization carried on its activities in a manner totally dissimilar to its purposes and principles as publicly disseminated. The Fratres Rosa Crucis naively refer to the misunderstandings which they have for obvious reasons permitted to exist concerning themselves as being “clouds” within which they labor and behind which they are concealed.

An inkling of the substance of Rosicrucianism–its esoteric doctrines–can be gleaned from an analysis of its shadow–its exoteric writings. In one of the most important of their “clouds,” the Confessio Fraternitatis, the Brethren of the Fraternity of R.C. seek to justify their existence and explain (?) the purposes and activities of their Order. In its original form the Confessio is divided into fourteen chapters, which are here epitomized.

CONFESSIO FRATERNITATIS R. C. AD ERUDITOS EUROPÆ

Chapter I. Do not through hasty judgment or prejudice misinterpret the statements concerning our Fraternity published in our previous manifesto–the Fama Fraternitatis. Jehovah, beholding the decadence of civilization, seeks to redeem humanity by revealing to the willing and by thrusting upon the reluctant those secrets which previously He had reserved for His elect. By this wisdom the godly shall be saved, but the sorrows of the ungodly shall be multiplied. While the true purpose of our Order was set forth in the Fama Fraternitatis, misunderstandings have arisen through which we have been falsely accused of heresy and treason. In this document we hope so to clarify our position that the learned of Europe will be moved to join with us in the dissemination of divine knowledge according to the will of our illustrious founder.

Chapter II. While it is alleged by many that the philosophic cide (sic. JBH) of our day is sound, we declare it to be false and soon to die of its own inherent weakness. just as Nature, however, provides a remedy for each new disease that manifests itself, so our Fraternity has provided a remedy for the infirmities of the world’s philosophic system. The secret philosophy of the R.C. is founded upon that knowledge which is the sum and head of all faculties, sciences, and arts. By our divinely revealed system–which partakes much of theology and medicine but little of jurisprudence–we analyze the heavens and the earth; but mostly we study man himself, within whose nature is concealed the supreme secret. If the learned of out day will accept our invitation and join themselves to our Fraternity, we will reveal to them undreamed-of secrets and wonders concerning the hidden workings of Nature.

Chapter III. Do not believe that the secrets discussed in this brief document are lightly esteemed by us. We cannot describe fully the marvels of our Fraternity lest the uninformed be overwhelmed by our astonishing declarations and the vulgar ridicule the mysteries which they do not comprehend. We also fear that many will be confused by the unexpected generosity of our proclamation, for not understanding the wonders of this sixth age they do nor realize the great changes which are to come. Like blind men living in a world full of light, they discern only through the sense of feeling. [By sight is implied spiritual cognition: by feeling, the material senses.]

Fifteen Rosicrucian and Qabbalistic Diagrams | Chapter 32

by | Aug 21, 2011 | Secret Teachings of All Ages

Lucifer, the fallen angel

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p. 145

IN his well-known work, The Rosicrucians, Their Rites and Mysteries, Hargrave Jennings reproduces five Qabbalistic charts which he declares to be genuine Rosicrucian drawings. He gives no information concerning their origin nor does he attempt an elucidation of their symbolism. A recent writer who reproduced one of these charts correlated it to the emblematic tomb of Father C.R.C., thus exposing the true nature of Christian Rosencreutz.

The five plates reproduced in Hargrave Jennings’ book are part of a series of fifteen diagrams which appear in The Magical, Qabbalistical, and Theosophical Writings of Georgius von Welling, on the Subject of Salt, Sulphur, and Mercury. This extremely rare volume was published at Frankfort and Leipzig in 1735 and 1760. The numbers and figures on the charts refer to the chapters and sections of the Writings. These fifteen charts constitute a remarkable and invaluable addition to the few other known admittedly authentic Qabbalistic and Rosicrucian diagrams.

Lucifer is the greatest mystery of symbolism. The secret knowledge of the Rosicrucians concerning Lucifer is nowhere so plainly set forth as in these plates, which virtually reveal his true identity, a carefully guarded secret about which little has been written. Lucifer is represented by the number 741.

Von Welling does not give a complete exposition of the fifteen charts; to have done so would have been contrary to the principles of Qabbalistic philosophy. The deeper significance of the symbols is revealed only by profound study and contemplation.

TABLE I, Figures 1-11. Figure 1 is a Ptolemaic chart showing the true relationship existing between the primordial elements. Its secret significance is as follows: The outer ring enclosed by the lines A and B is the region of Schamayim, a Qabbalistic name for the Supreme Deity, signifying the expanse of the heavens, or a spiritual fiery water. Schamayim is “The Ocean of Spirit, ” within which all created and uncreated things exist and by the life of which they are animated. In the lower worlds Schamayim becomes the astral light.

The space between B and C marks the orbits or planes of the seven Spiritual Intelligences called the Divine Planets (not the visible planets). According to the Mysteries, the souls of men enter the lower worlds through ring B, the fixed stars. All creation reflects the glory of Schamayim, the energy that filters into the spheres of the elements through the windows of the stars and planets. Between C and D lies the region of the subtle, spiritual air, a subdivision of ether. D to E marks the surface of the earth and sea, by which are also meant grades of ether. E to F marks the lower region, called “The Gathering of the Waters and the Production of the Virgin Earth, ” or “Ares. ” The alchemists called this “quicksand,” the true mystic foundation of the solid earth. F to G marks the circle of the subterranean air, which is more dense and coarse than that in the outer space, C to D. In this denser atmosphere the stellar influences and celestial impulses are crystallized into corporeal spirits, thus forming the multitude of forms which exist without knowledge of their own fiery source. G is the region of the central fire of the element earth, a coarse fire in contradistinction to the divine fiery Schamayim. The sphere of the starry heavens likewise has its opposite in the sphere of the subterranean air; and the sphere of the upper air (or subtle vaporous water) has its opposite in the sphere E to F. The focal point, D to E, between the three higher and the three lower spheres, is called “The Reservoir.” It receives impressions from both the superior and the inferior regions and is common to both.

 

Luciffer versus The Lord (Madach)

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The Theory and Practice of Alchemy Part One | Chapter 34

by | Aug 21, 2011 | Secret Teachings of All Ages

p. 153

ALCHEMY, the secret art of the land of Khem, is one of the two oldest sciences known to the world. The other is astrology. The beginnings of both extend back into the obscurity of prehistoric times. According to the earliest records extant, alchemy and astrology were considered as divinely revealed to man so that by their aid he might regain his lost estate. According to old legends preserved by the Rabbins, the angel at the gate of Eden instructed Adam in the mysteries of Qabbalah and of alchemy, promising that when the human race had thoroughly mastered the secret wisdom concealed within these inspired arts, the curse of the forbidden fruit would be removed and man might again enter into the Garden of the Lord. As man took upon himself “coats of skins” (physical bodies) at the time of his fall, so these sacred sciences were brought by him into the lower worlds incarnated in dense vehicles, through which their spiritual transcendental natures could no longer manifest themselves. Therefore they were considered as being dead or lost.

The earthly body of alchemy is chemistry, for chemists do not realize that half of The Book of Torah is forever concealed behind the veil of Isis (see the Tarot), and that so long as they study only material elements they can at best discover but half of the mystery. Astrology has crystallized into astronomy, whose votaries ridicule the dreams of ancient seers and sages, deriding their symbols as meaningless products of superstition. Nevertheless, the intelligentsia of the modern world can never pass behind the veil which divides the seen from the unseen except in the way appointed–the Mysteries.

What is life? What is intelligence? What is force? These are the problems to the solution of which the ancients consecrated their temples of learning. Who shall say that they did not answer those questions? Who would recognize the answers if given? Is it possible that under the symbols of alchemy and astrology lies concealed a wisdom so abstruse that the mind of this race is not qualified to conceive its principles?

The Chaldeans, Phœnicians, and Babylonians were familiar with the principles of alchemy, as were many early Oriental races. It was practiced in Greece and Rome; was the master science of the Egyptians. Khem was an ancient name for the land of Egypt; and both the words alchemy and chemistry are a perpetual reminder of the priority of Egypt’s scientific knowledge. According to the fragmentary writings of those early peoples, alchemy was to them no speculative art. They implicitly believed in the multiplication of metals; and in the face of their reiterations both the scholar and the materialist should be more kindly in their consideration of alchemical theorems. Evolutionists trace the unfoldment of the arts and sciences up through the growing intelligence of the prehistoric man, while others, of a transcendental point of view, like to consider them as being direct revelations from God.

Many interesting solutions to the riddle of alchemy’s origin have been advanced. One is that alchemy was revealed to man by the mysterious Egyptian demigod Hermes Trismegistus. This sublime figure, looming through the mists of time and bearing in his hand the immortal Emerald, is credited by the Egyptians as being the author of all the arts and sciences. In honor of him all scientific knowledge was gathered under the general title of The Hermetic Arts. When the body of Hermes was interred in the Valley of Ebron (or Hebron), the divine Emerald was buried with it. Many centuries afterward the Emerald was discovered–according to one version, by an Arabian initiate; according to another, by Alexander the Great, King of Macedon. By means of the power of this Emerald, upon which were the mysterious inscriptions of the Thrice Great Hermes–thirteen sentences in all–Alexander conquered all the then known world. Not having conquered himself, however, he ultimately failed. Regardless of his glory and power, the prophecies of the talking trees were fulfilled, and Alexander was cut down in the midst of his triumph. (There are persistent rumors to the effect that Alexander was an initiate of high order who failed because of his inability to withstand the temptations of power.)

The Theory and Practice of Alchemy Part Two | Chapter 35

by | Aug 21, 2011 | Secret Teachings of All Ages

p. 157

All true Philosophers of the natural or Hermetic sciences begin their labors with a prayer to the Supreme Alchemist of the Universe, beseeching His assistance in the consummation of the Magnum Opus. The prayer that follows, written in a provincial German centuries ago by an adept now unknown, is representative: “O holy and hallowed Trinity, Thou undivided and triple Unity! Cause me to sink into the abyss of Thy limitless eternal Fire, for only in that Fire can the mortal nature of man be changed into humble dust, while the new body of the salt union lies in the light. Oh, melt me and transmute me in this Thy holy Fire, so that on the day at Thy command the fiery waters of the Holy Spirit draw me out from the dark dust, giving me new birth and making me alive with His breath. May I also be exalted through the humble humility of Thy Son, rising through His assistance out of the dust and ashes and changing into a pure spiritual body of rainbow colors like unto the transparent, crystal-like, paradisiacal gold, that my own nature may be redeemed and purified like the elements before me in these glasses and bottles. Diffuse me in the waters of life as though I were in the wine cellar of the eternal Solomon. Here the fire of Thy love will receive new fuel and will blaze forth so that no streams can extinguish it. Through the aid of this divine fire, may I in the end be found worthy to be called into the illumination of the righteous. May I then be sealed up with the light of the new world that I may also attain unto the immortality and glory where there shall be no more alternation of light and darkness. Amen.”

THE ORIGIN OF ALCHEMICAL FORMULÆ

Apparently but few of the mediæval alchemists discovered the Great Arcanum without aid, some authors declaring that none of them attained the desired end without the assistance of a Master or Teacher. In every instance the identity of these Masters has been carefully concealed, and even during the Middle Ages speculation ran rife concerning them. It was customary to call such illuminated sages adepts, a title which indicated that they possessed the true secrets of transmutation and multiplication. These adepts were polyonymous individuals who unexpectedly appeared and disappeared again, leaving no trace of their whereabouts. There are indications that a certain degree of organization existed among them. The most powerful of the alchemical organizations were the Rosicrucians, the Illuminati, and certain Arabian and Syrian sects.

I n the documents which follow, references are made to the “Brethren “or “Brothers. ” These are to signify that those who had actually accomplished the Magnum Opus were banded together and known to each other by cipher codes and secret signs or symbols. Apparently a number of these illuminated adepts dwelt in Arabia, for several of the great European alchemists were initiated in Asia Minor. When a disciple of the alchemical arts had learned the supreme secret, he guarded it jealously, revealing to no man his priceless treasure. He was not permitted to disclose it even to the members of his immediate family.

As the years passed, one who had discovered the secret–or, more properly, one to whom it had been revealed–sought for some younger man worthy to be entrusted with the formulæ. To this one, and to this one only, as a rule, the philosopher was permitted to disclose the arcanum. The younger man then became the “philosophical son” of the old sage, and to him the latter bequeathed his secrets. Occasionally, however, an adept, on finding a sincere and earnest seeker, would instruct him in the fundamental principles of the art, and if the disciple persisted, he was quietly initiated into the august fraternity of the Brethren. In such manner the alchemical processes were preserved, but the number of those who knew them did not increase rapidly.

During the sixteenth, seventeenth, and eighteenth centuries a considerable number of alchemical adepts made their way from place to place throughout Europe, appearing and disappearing apparently at will. According to popular tradition, these adepts were immortal, and kept themselves alive by means of the mysterious medicine that was one of the goals of alchemical aspiration. It is asserted that some lived hundreds of years, taking no food except this elixir, a few drops of which would preserve their youth for a long period of time. That such mysterious men did exist there can be little doubt, as their presence is attested by scores of reliable witnesses.

The Hermetic and Alchemical Figures of Claudius De Dominico Celentano Vallis Novi from a Manuscript Written and Illuminated at Naples A.D. 1606 | Chapter 36

by | Aug 21, 2011 | Secret Teachings of All Ages

p. A1

No better way can be found of introducing to the “Royal Art” a seeker after the mysteries of symbolical philosophy than to place at his disposal an actual example of alchemical writing. The text of this manuscript is as enigmatic as are its diagrams; but to him who will meditate upon the profound significance of both, the deeper issues of mysticism in due time will be made clear. An unknown person through whose hands this manuscript passed wrote thus of it:

“Because of its drawings and illustrated expositions, the manuscript is of preeminent importance to the Rosicrucians and the contemporary order of Freemasons. The first, and larger, part of the illustrations deals with the Hermetic philosophy, explaining its teachings and doctrines. Interspersed among these are portraits of great teachers and satirical representations of bunglers and their mistaken views. The systematically arranged part shows with wonderful clearness the color development of the alchemical processes from blue-gold over black to white and rose. Throughout it treats of the change in human beings and not of the making of gold. Ever upon the Grade of Black (the return into Chaos from which new creations are possible) follows the Grade of the Neophytes, the New Birth, which is often repeated with impressive lucidity. The black stage occurs as usual through fire. This unopened and unpublished manuscript belongs to the order of the most important Precepts and Documents of the Rosicrucians, and Freemasons. A search through the museums and library collections of Germany has failed to reveal any item of even a similar character.”

In addition to the 26 leaves here reproduced there are ten bottles or retorts, each half filled with varicolored substances. These bottles can be so easily described that it is unnecessary to reproduce them. The first bottle (from the mouth of which issues a golden shrub with three blossoms) contains a bluish-gray liquid, the entire figure being called “Our Quicksilver.” Under the vessel is a verse containing the significant words: “He will have white garments for black and then red.” The second bottle (from the neck of which rise four golden flowers) also contains the bluish-gray substance termed quicksilver. Below the bottle is the admonition to “make spirit of the body and grace of the gross, that the corporeal may become incorporeal.”

The third bottle is entirely black save for a golden tree trunk having six lopped-off branches and terminating in five branches which end in knobs and protrude from the neck of the bottle. The state of the substance is termed “Blackness showing through the Head of the Raven.” Under the bottle occurs the statement that “the tincture of the Philosophers is hidden in the air like the soul in the human body.” The fourth bottle is of the deepest blackness and is called “The Head of the Raven.” Nothing rises from the neck of the vessel, for the earth (its contents) is described as “submerged in Chaos.” The bottom of the fifth bottle contains a bluish-gray, spotted liquid, the upper part being filled with a brick-colored substance. Above are the words: “Sixth Raven’s Head”; below is added: “At the bottom of the vessel worms are born.”

The lower half of the sixth bottle is of a bluish-gray, the u per half black, the entire figure being termed “Seventh Raven’s Head.” A child is seated beside the bottle, concerning whom it is written: “This newly-born, black son is called Elixir and will be made perfectly white.” The seventh bottle is black below and black spotted with red above. The process is thus described: “Black blacker than black, for many divers colors will appear. Those black clouds will [descend] to the body whence they came, and the junction of body, soul, and spirit has been completed and turned to ashes.”

The eighth bottle is divided horizontally by a golden band, from which rises a golden stem ending in five leaves protruding from the neck of the bottle. The contents of the vessel are transparent, and it is written that “the black clouds are past and the great whiteness has been completed.” The ninth bottle (from the neck of which rises a golden white rose) is also partly filled with a transparent liquid. The rose is made to say: “He who blanches me makes me red.” The tenth and last bottle represents the consummation of the Great Work. The lower half of the vessel is filled with the blood-red Elixir and from the neck rises a red rose with many petals and of extreme beauty. After declaring all the planets to have been present at the consummation of the Great Work, the author of the document concludes: “I gave to the Master [spirit] so much silver and gold that be can never be poor.”