The online pornography video behemoth, Pornhub, and its parent company, MindGeek has seen their fair share of bad publicity over the years for allowing videos of child sexual exploitation and rape on their websites, as you will see.
MindGeek, formerly known as ManWin, has been embroiled in several lawsuits related to videos of child sexual assault and trafficking that have been levied against them.
Both Visa and Mastercard cut ties in December 2020 over allegations that Pornhub hosts videos depicting child pornography, which sparked lawsuits against Visa.
But keep in mind that there are many other lawsuits and criminal cases going back several years that have proven this is common knowledge. A simple Google search and you will find a plethora of criminal cases and allegations made against Pornhub and MindGeek.
All the while, Pornhub is generating millions of dollars monthly in advertising and membership revenue with almost 50 billion visits and over 6 million videos uploaded per year.
The most recent case of child exploitation involves a 12-year-old boy from Alabama who was drugged and raped by a 35-year-old man on numerous occasions and then uploaded the videos to Porhub. The videos remained on the pornography platform for months garnishing over 150,000 views and thousands of dollars in revenue for the pedophile rapist and all the companies involved in allowing it to happen.
According to the USDOJ, “Rocky Shay Franklin, a 36-year-old residing in Greenville, Alabama during the commission of his crimes, was sentenced to 480 months in prison for sexual exploitation of a child, advertising child pornography, and distribution of child pornography.”
In the initial criminal suit against Franklin, the complaint details how Franklin drugged and raped the 14-year-old — known only under the pseudonym CV1 — filming the entire ordeal and uploading the footage to Pornhub.
During a plea hearing that took place on July 28, 2021, Franklin specifically admitted that in the summer of 2018, he used, induced, and enticed two minors to engage in sexually explicit conduct for the purpose of producing a visual depiction.
In addition, Franklin acknowledged that from May 30, 2019, through October 11, 2019, he uploaded multiple videos to a pornography website.
“Franklin did so from various locations in Greenville, Alabama and Montgomery, Alabama. The videos contained visual depictions of minors engaged in sexually explicit conduct.
Franklin advertised these files through the website and requested a monetary fee for distribution. Franklin also admitted to distributing child pornography on at least three occasions using various online accounts and platforms,” the USDOJ said.
In other recent news, a 15-year-old girl who had been missing for a year was discovered on Pornhub after a tipster spotted the rape videos of the girl on the website and alerted her mother.
The man who was seen raping the child in approximately 58 videos was later apprehended by legal authorities using surveillance footage where he was spotted with his victim. He is now in prison.
In February 2020, the BBC reported a horrific story of 14-year-old Rose Kalemba from Ohio who was kidnapped at knifepoint and raped for twelve hours while the scum bag videotaped the crime and then uploaded them to Pornhub.
The victim claimed that she pleaded with Pornhub to remove the videos for months, but the company ignored the pleas. It wasn’t until she posed as a lawyer and threatened legal action that the company finally took the videos of the crime down.
A Sunday Times investigation reported finding “dozens” of illegal child abuse videos within “minutes” on Ponhub, including videos of children as young as three years old with some garnishing 350,000 views and had been on the platform for several years.
22 women recently won a $12.7 million lawsuit against MindGeek after they were deceived and coerced by Michael Pratt, owner of GirlsDoPorn, into performing sex acts on film and then uploading them to Pornhub. According to the federal complaint, Pratt and his co-conspirators filmed and produced child rape, sexual abuse content, and trafficking in minors.
Pratt fled the United States for New Zealand and is currently wanted on a federal warrant as of September 2020, the Federal Bureau of Investigation (FBI) added him to its Ten Most Wanted Fugitives list offering a reward of $100,000 for information leading to his arrest.
From 2012 to 2019, Pratt owned and operated GirlsDoPorn and GirlsDoToys, which generated more than $17 million in revenue, the FBI said. “Locating Pratt is a high priority for the FBI in order to stop him from victimizing anyone else,” Special Agent in Charge Stacey Moy said.
Pratt is from New Zealand but founded GirlsDoPorn in San Diego. “Michael James Pratt preyed on young women and girls and allegedly coerced or forced them through threats and fraud to participate in pornographic videos,” Moy said.
MindGeek has repeatedly said its hands are clean by denying such accusations.
But the evidence speaks for itself. They are laughing all the way to the bank as children get raped and the criminals cash in on these horrific crimes.
One time is too many. Two or more is unacceptable.
This is now to the point that Washington DC lawmakers need to intervene before more children become victims or they too will be complicit in these crimes.
As well as owning Pornhub, MindGeek owns many other pornography sites, including xHamster, RedTube, and YouPorn.
In June 2022, MindGeek announced that its CEO, Feras Antoon, and Chief Operating Officer David Tassillo resigned after more than a decade.
The company said that their departure was planned since early 2022 and that both Antoon and Tassillo will remain shareholders of the company.
Instead of being in prison where they belong, Antoon and Tassillo received the customary golden parachute to hell as they sip champagne after the carnage they had allowed to happen to young children and women under their watch for years.
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
The Devil’s Chord, the devil’s interval, the tritone, the triad, and the diminished or flatted fifth are a combination of musical notes that are designed to create a chilling or discordant sound that makes for a foreboding atmosphere.
After all, music is hypnotic and activates specific neuro cortical structures in the brain inducing whatever emotion the musician desires in their listeners.
This is why the interval has been used for centuries as a way to scare people or subvert religious music. In medieval times, it was associated with the Devil and referred to as Diabolus in musica (the Devil in music) – so much so that some composers have tried to banish it entirely from their compositions.
It has been said that in the Middle Ages people were forbidden from using flattened fifths because of the evil tone it creates and brings demonic forces.
The devil’s tunes were the antithesis of godliness. It has been called the Devil’s Interval since at least the 16th century.
Over time, the sound has wound up in classical music, jazz, rock, heavy metal, rap, and even Broadway musicals in some of the most popular songs of the 20th and 21st centuries.
THE SCIENCE OF THE DEVIL’S TRITONE
It is used to create tension, discord, or suspense in music and more importantly, it has also been connected with inducing a ‘hypnotic state’ in the listener.
The use of music and sound for inducing ‘hypnotic’ and ‘subconscious’ states and capacities etc. is used to artificially produce a build up of emotions, energy and tension within the listener. Meaning, it is the musician controlling the energies and we can say the minds of their listeners with hypnosis via certain musical tones rather than the listener themselves.
Musicians can be compared to the flute playing snake charmers of people.
They have the ability to charm women to become raving lunatics who will do anything to see or get a piece of their favorite musician and command men and women to act like their porn stars and gangsters. This is why corporations use music in advertising and why they employ musicians to sell worthless consumer items to the masses.
They are magicians who through their music control their “raving mind controlled fans.”
The Devi’s tri-tone invokes an automatic and mostly un-noticed tension and energy in a being who in turn may themselves invoke this same kind of tension in themselves through various means. If the listener is unaware or unconscious of what is happening, they may misdirect and misuse this energy towards their own self destruction and that of their family or the community and nation to which they belong.
You can clearly see this in the punk rock and rap music scenes whose adherents regularly destroy themselves through their destructive and violent lifestyles.
The lyrics and music have now been programed into their minds to the point that their thoughts, words and actions play like a schizophrenic tape recorder of their favorite playlist. In a sense, their minds and spirits have been purposely inverted by music which is manipulating their unconscious thus increasing ‘egoism and selfishness’.
Musical tones that have the potential to be used for both suggestions for inducing a sleep like trance state to mind control people as well as for awakening conscious development.
The Devil’s Tritone is meant to do the former by inducing an artificial tension and friction that builds up of negative emotions in the listener that can lead to destructive behaviors if not able to be expressed in a positive way.
Scientists have found that emotions induced by music activate similar frontal brain regions compared to emotions elicited by other stimuli. Fearful and sad music is associated with increases in right frontal EEG activity and joyful and happy musical segments were associated with increases in left frontal EEG activity and the more intense the music, the more frontal brain activity.
It is interesting to note that when unpleasant music is played, the posterior cingulate cortex activates, which indicates a sense of conflict or emotional pain in the listener which is associated with the right hemisphere of the brain. Anyone who has listened to heavy metal, punk rock and even gangster rap understands that it invokes certain emotions and energies.
This is why since the days of Anceint Greece, emotion has been linked with tonality. For thousands of years music has been viewed as being both potentially creative and destructive to the listener.
A powerful creative force that can implant thoughts and ideas into people’s minds unbeknownst to the ignorant listener who is unaware of this knowledge and science.
HOW IS THE DEVIL’S TRITONE PLAYED?
The tritone is made up of two tones that are six half-steps apart. It consists of two notes that are three whole steps apart, such as “C” to “F#.”
For example, if you take any note on a piano or guitar and play it along with its fifth (a half-step above) or seventh (a half-step below), you’ll hear a tritone.
In classical music theory, it’s called an augmented fourth (two whole steps plus a half step), a diminished or flattened fifth (a half step more than a whole step).
In music theory, consonance refers to sounds that fit together well. A major third — the distance between two notes on a piano keyboard — feels pleasant because it’s in harmony with nature: The sounds we make when we hum or sing are based on harmonics that have a frequency ratio of 2-to-3 (for example, A to C).
Consonance also has to do with how stable or unstable a sound is — whether it feels permanent or fleeting. This is why minor keys often seem sadder than major ones; they’re less stable because there isn’t enough consonance to create a sense of resolution after each chord change.
WHAT MUSICIANS AND BANDS PLAYED THE DEVIL’S TRITONE?
The tritone is often heard in classical music when composers want to create tension or foreshadow danger — like in the Dies Irae section of Mozart’s Requiem Mass to symbolize the descent into hell or Wagner’s “Ride of the Valkyries” from Die Walküre.
In 1666, German composer Heinrich Schutz wrote Cantata No. 12 “O süßes Jesulein” (O Sweet Little Jesus), which includes a passage using a tritone called “the Devil’s interval.” The piece caused such a stir that the Catholic Church banned it from being played during mass services.
Beethoven’s 1805 opera Fidelio is flush with triads, as is Richard Wagner’s 1848 composition “Gotterdammerung.” French composer Claude Debussy loved using tritones in his music and used them heavily in his opera Pelléas et Mélisande (1902).
The English composer Ralph Vaughan Williams used them extensively in his symphonies and concertos. Modern composers like Hans Zimmer have also used them extensively in film scores like Inception (2010) and Interstellar (2014).
In jazz terminology, it’s often called an “outside” chord. That’s because it tends to sound dissonant against other chords in a tune — especially when played by a saxophone player who has been improvising too long without knowing where he is going to end up .
It was used often — especially Miles Davis and John Coltrane who used it frequently in their recordings together.
For example, Miles Davis’ use of the tritone in “So What” from Kind of Blue is considered one of his most important contributions to modern music.
The blues were regarded as the Devil’s music. Talented people like guitarist Robert Johnson were considered to be influenced by dark forces like the faustian myth that the musician disappeared to Highways 49 and 61 in Mississippi, where he met the Devil and exchanged his guitar for the bluesman’s soul.
The godfathers of metal, Black Sabbath built their music careers using the Devil’s chord. The primary riff used in “Black Sabbath” from the band’s 1970 self-titled first album, which is based on (and begins with) the tritone interval, can be credited to guitarist Tony Iommi.
“He came to rehearsal one day,” Ozzy Osbourne remembered of Iommi’s innovation in 2001, “and said, ‘Isn’t it funny how people pay money to watch horror films; why don’t we start playing scary music?’ And then he came up with that ‘Black Sabbath’ riff, which was the scariest riff I’ve ever heard in my life.”
Iomni developed Sabbath’s sound after listening to a piece of classical music he and bassist Geezer Butler enjoyed by Gustav Holst called “Mars, The Bringer of War” from the suite The Planets (written in 1914).
Iommi began experimenting with the sound on guitar by slowing it down to a crawl, and he liked the unsettling feeling it created. Then he added a trill to the flatted fifth, repeatedly wavering from Db to D and added vibrato to the other notes playing at different speeds and with varying chord combinations to emphasize the tension of the music.
“I was particularly interested in The Planets and ‘Mars’ by Gustav Holst. There’s a sort of tritone in that and I was always playing that on bass funnily enough before we even started writing songs and I think subconsciously it may have influenced Tony,” Butler recalled.
Iommi recalled, “Just one day we were in the rehearsal room and I started playing, as I did, ideas and this riff came out and I thought, ‘God!’ I really liked it and the other guys said, ‘Ah, that’s really good. We really like that.”‘So, I put more to it and that was it, it became ‘Black Sabbath.'”
“We built it up, but that was immediate — once we’d done that song, that was the direction and we knew where we were going then from that first riff. It just gave us a certain feeling,” the guitarist continued.
The feeling that was instilled in him when he first played that riff is quite vivid as Iommi looked back, “I remember when I first played that riff, all the hairs stood up on my arm and I knew that was it. ‘That’s it, this is where we’re at, this is what we’re doing.’ It was just like being told, ‘This is what you’re doing and this is where you’re going.'”
Iommi used the Devil’s tritone in many Sabbath songs, and when the band became successful, the tritone became a staple of the heavy metal genre.
Countless bands such as Judas Priest, Metallica, Slayer, Marilyn Manson, and Slipknot have all used this technique to their music.
Slayer even named their 1998 album Diabolus in Musica in homage to the technique.
Dave Mustaine, founder and frontman for the metal band, Megadeth, was featured on ABC News’ Nightline for an episode called “Battle With The Devil,” which detailed the occult, and belief in the devil.
Mustaine, who is a Christian, now, shows the ABC host the chord progression of the Devil’s Tritone and says; “The devil’s tritone is made up of these three notes, and this note right here drops down one, so it goes…
So listen to the difference. It just sounds evil, doesn’t it.’
‘It sounds darker.’
Which is why the progression is used so frequently in death metal.”
Mustaine says he is a Christian now, but wasn’t always.
The opening bars of the Beatles song “A Hard Day’s Night” feature a tritone progression: C# – F# – Bb – D
Today, we have examples like Radiohead’s “Paranoid Android” and Trent Reznor’s “Something I Can Never Have.”
This sequence is basically a dissonance, that is, an apparently “unstable” sound that needs to be resolved into a more “stable” consonance.
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
Philip K. Dick (1928-1982) is one of the most celebrated science fiction writers of the 21st century.
He published 44 novels and 121 short stories in his lifetime and his books have been adapted into video games, television shows, and films including Total Recall, Minority Report, Blade Runner, The Man in the High Castle, and A Scanner Darkly.
Dick was an American who has been described as a Gnostic, a countercultural figure, a philosopher — and at the same time, he’s been called crazy and a drug addict. For example, he admitted that almost every book he wrote was done under the influence of amphetamines (Meth or Speed).
But as with many of the world’s greatest thinkers, a touch of madness and personal life issues are no reason to throw this authentic baby out with the dirty bathwater.
As was the case with Phillip K. Dick (PKD).
Dick once described all his novels as books that “try to pierce the veil of what is only apparently real to find out what is really real.”
And that is exactly what he did, which I believe has made him one of the greatest modern Gnostic thinkers of our time.
One of Dick’s most famous Gnostic theories was that of the Black Iron Prison (BIP), which he described as an invisible complex life form (organism) that was a criminal virus and was self perpetuating.
Its human representatives were the Roman Empire, which he claims never ended, they just went underground.
According to Dick, the Black Iron Prison was not just a living parasitical organism that could commandeer our minds and bodies to make us its puppets, it also had also managed to weave its filamental web into a totalitarian world government ruled by an elite consisting of powerful corporations and individuals who have enslaved most of humanity for thousands of years.
Think of the Black Iron Prison as a synonymous term to the Matrix to describe our world and the hidden realities which govern it as it exists today.
Dick shares through his many novels and his own personal story about being a prisoner trapped within it.
DICK’S VISIONS
In 1974, while Dick was recovering from the after-effects of prescription drugs for the extraction of an impacted wisdom tooth, he received a home delivery of his meds from a beautiful young woman.
When he opened the door, he was awestruck by the dark-haired girl’s beauty, and was especially fascinated by her golden necklace with fish-shaped design.
He asked her what it meant, and as she was leaving, she replied: “This is a sign used by the early Christians.”
Dick called the symbol the “vesicle pisces”.
After the mysterious woman had departed, Dick began experiencing strange hallucinations.
Dick said that the sunlight reflected off the gold pendant, forming a “pink beam” of light that mesmerized him as if it imparted some special wisdom and clairvoyance, and he also believed it to be intelligent. On another occasion, he claimed that the pink beam gave him information that his infant son was ill. He rushed his son to the hospital, where the illness was confirmed by a doctor.
Dick spoke of it as a revelatory event that made him sane. He told Charles Platt:
“I experienced an invasion of my mind by a transcendentally rational mind, as if I had been insane all my life and suddenly I had become sane.”
Carl Jung’s Influence on Dick
Dick said that his thinking and much of his work was heavily influenced by the writings of fellow Gnostic, Carl Jung. It was his thirst for this secret knowledge that had drawn him to Jung’s writings.
“I was reading Jung in the forties when the only book of his in the U.S. was, Modern Man In Search Of A Soul,” [1933] he wrote Patricia Warrick in 1980. “I bought one later book and tried to translate it. I went to the library at U. C. Berkeley and read their translations.
They had translated only the introduction… a few mimeographed pages. Pat, I felt such a hunger for knowledge,” Dick wrote. (pp. 202-203)
His former wife, Anne R. Dick, wrote in the Search for Philip K. Dick;
“About this time [1961] I started reading some of Carl Jung’s writings. Dorothy Hudner had been deeply influenced by Jung’s works, and when she heard about my interest she sent us one of the beautiful Bollingen editions. Both Phil and I read it and soon acquired and read the whole set….Phil studied Jung’s volumes Alchemy Symbols of Transformation in the Mass.
He was interested in Jung’s idea that a new world religion would soon arise, a religion based upon a quarternity instead of a trinity. The fourth force will be, Jung said, the force now regarded as demonic.
This statement had a big influence on Phil.” (p. 60)
@ 103:40 Dick talks about Jung….
The Black Iron Prison’s Most Wanted Crusader
For Phillip K. Dick, the Roman Empire was not only real and still alive, he was a wanted man by its enforcers who wished to silence him.
In a 1977 interview, he claimed that he was followed by the police and that the US government had broken into his home, stealing his work. Dick said;
“As far as my reputation in the United States, I don’t expect ever to have any reputation in the United States except, well, the police once told me that I was a crusader, and they had no use for crusaders.
But unfortunately they didn’t tell me what I was crusading for. I was afraid to ask,
“But what was I a crusader for?”
And they told me that if I did not get out of the county I would be shot in the back, or worse, some night. And I merely took their advice. I left the United States and went to Canada for a while.
But I never found out what I was crusading for. It may have had something to do with my writing. It may have had something to do with my lifestyle, or a combination of both.
But I was too afraid of the police to ask what it was that I was doing.”
Dick stated, “It is impossible to tell how much of our fears were justified. I mean, there were illegal entries, my house was broken into, my files were blown open, my papers were stolen.
We never found out who did it. My attorney said it was the government.
There was no doubt that it was the government. But what they were looking for, I don’t know.
What they thought I was doing, I don’t know. I don’t even know if it was the government. But there were many such illegal entries.” He said.
Later in the interview, Dick claims that CIA and FBI agents were watching his every move – surveiling his home and opening his mail. He said that he even saw his own CIA and FBI files proving so;
“In March of ’74 the CIA operation CHAOS, which was to harass, disrupt and keep surveillance on American dissidents was officially abandoned. So the kind of paranoia which Michel Demuth noted, which was real, was based on the fact that we were harassed, we were under surveillance.
We really were.
There was no doubt about it whatsoever. I’ve seen my CIA file. I’ve seen my FBI file under The Freedom Of Information Act. I was legally allowed to see both files.
The CIA opened my mail. The FBI had a file on me. I’ve seen both,” Dick said.
“I no longer have the sense of the police activity. It depends a little on what you mean by paranoia.
If you mean a psychotic conviction that you are being persecuted, which is not in accord with reality, I don’t think I had that. But, boy, I sure thought the cops were watching everything I did.
And I was correct. I was tipped off by the criminal underground that my house was being watched.
The license plate numbers of every car that stopped in front of my house was taken. And these were not part of my imagination, these were actual events.
Anyone who visited me, their license plate number was written down by the people next door. And I was told that the house was being watched, and eventually that my house would be hit, my files would be opened, my papers would be taken, and so it came to pass.
As I said in the Rolling Stone article on me, when I came home and found my house consisting of nothing but rubble, ruins, chaos, broken windows, smashed doorknobs, blown open files, I said, “Thank God, I’m not crazy. I have real enemies.”
It’s a tremendous relief to discover that somebody really is after me.”
In his book The Penultimate Truth, Dick describes a society in which the Empire rules over time until they control all aspects of human life – from birth to death.
In this world, life has become meaningless and people are confined to small rooms where they spend their lives watching a screen that shows them images of the past, so that they can have at least some illusion of freedom.
In Do Androids Dream of Electric Sheep?, for example, he describes an Earth where many people have emigrated to Mars, leaving behind an overpopulated planet full of poverty and crime.
Apparently, Elon Musk is a Dick fan. In 2016, he said he wanted to build a rocket capable of taking people to Mars and supporting a permanent city on the planet.
In another novel, The Three Stigmata of Palmer Eldritch, Dick describes a future where Earth has been transformed into a commercialized planet run by megacorporations who use drugs to control their customers’ minds.
A world that sounds very much like what we see today with massive pharmaceutical companies who have sovereign status and are pulling in billions of dollars as the Empire requires vaccine mandates for its prisoners citizens to travel and work.
BOOKS BY PHILIP K. DICK
Solar Lottery, 1955.
A Handful of Darkness (short stories), 1955.
The World Jones Made, 1956.
The Man Who Japed, 1956.
Eye in the Sky, 1957.
The Cosmic Puppets, 1957.
The Variable Man (5 short novels), 1957.
Time Out of Joint, 1959.
Dr. Futurity, 1960.
Vulcan’s Hammer, 1960.
The Man in the High Castle, 1962.
The Game-Players of Titan, 1963.
Martian Time-Slip, 1964.
The Simulacra, 1964.
Clans of the Alplhane Moon, 1964.
The Penultimate Truth, 1964.
The Three Stigmata of Palmer Eldritch, 1965.
Dr. Bloodmoney, or How We Got A long after the Bomb, 1965.
Now Wait for Last Year, 1966.
The Crack in Space, 1966.
The Unteleported Man, 1966.
Counter-Clock World, 1967.
The Zap Gun, 1967.
The Ganymede Takeover (with Ray Nelson), 1967.
Do Androids Dream of Electric Sheep?, 1968.
The Preserving Machine (short stories), 1969.
Galactic Pot-Healer, 1969.
Ubik, 1969.
Our Friends from Frolix 8, 1970.
A Maze of Death, 1971.
We Can Build You, 1972.
The Book of Philip K. Dick (short stories), 1973.
Flow My Tears, the Policeman Said, 1974.
Confessions of a Crap Artist, 1975.
A Scanner Darkly, forthcoming.
Deus Irae (with Roger Zelazny), forthcoming.
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
If you were looking for where the Cult of Modern Satanism had its origins and where this ideology first began to take shape in Western culture, I would point you to the Ancient Cult of Bacchus from Rome whose adherents were known as the Bacchanalia in 186 BCE.
A Satanic cult that tried to take over the Roman empire by destroying it from within.
Here is the history of what happened to these Ancient Roman Satanists.
According to Roman historian and grammarian, Livy (Titus Livius), the Roman Senate took legal action in 186 BCE against the Cult of Bacchus (Bacchanalia) with the largest systematic persecution of a religious group ever seen in Europe. (Senatus Consultum de Bacchanalibus)
Livy said the troubles began when a woman named Paculla Annia became a priestess and altered the rites turning them into violent sex-orgies, including the rape of females and male adolescents (Ab urbe condita, 39.11.6-7, 39.13.14.).
He claimed that members of the cult were Romans of all classes with over 7000 people persecuted for sexual crimes and immorality in a massive military campaign lasting five years – the majority of them were executed (Ab urbe condita 39.17.4-39.18.9).
Livy said that the nocturnal version of the Bacchanalia involved wine-drinking to excess, drunkenness, and allegations of both heterosexual and homosexual license with young boys and the free mingling of the sexes and classes.
This was a form of unrestrained liberalism that had led to perverse human and sexual acts that could be compared to modern neoliberalism and Satanism. As we see today, there is a similar culture war happening where people are beginning to speak out against these immoralities and what appears to be the outright grooming of children into their Satanic cult with effeminate homosexual and trans ideologies.
The same thing happened over 2,000 years ago.
For example, in 186 BCE, the Roman Legal Magistrates declared;
“Yet it would be less serious if their wrongdoing had merely made them effeminate —that was in great measure their personal dishonour —and if they had kept their hands from crime and their thoughts from evil designs: never has there been so much evil in the state nor affecting so many people in so many ways.
Whatever villainy there has been in recent years due to lust, whatever to fraud, whatever to crime, I tell you, has arisen from this one cult. Not yet have they revealed all the crimes to which they have conspired.
Their impious compact still limits itself to private crimes, since as yet it does not have strength enough to crush the state. Daily the evil grows and creeps abroad. It is already too great to be purely a private matter:
Its objective is the control of the state.”
Today, we can clearly see how this Bacchanalian philosophy from over 2,000 years ago is connected to current events with the Cult of Satan and its followers known as the Satanists. They both have very similar ideologies of extreme liberalism, individualism, hedonism, and immorality and we are witnessing similar controversies arise in modern times with the accusations and news that certain members of the Western elite are part of a Satanic cult.
And yes, just like the Ancient Cult of Bachus, the Modern Satanists’ main objective is to control the state.
The persecution of the Bacchanalia would be akin to the Satanic Panic of the 1980s and 1990s, but back then these ancient Satanists did not have TV, radio and internet so they could not control the media and news narratives so these cult members were not so lucky.
However, as I have written before, Holy War: Russia Declares War On Satanists, the country that calls themselves the Third Rome recently announced a modern military style campaign In response to a recent rise in Satanism across Ukraine and Western countries that will target Satanists.
Most of the Russian elite are on board and have agreed to cooperate in the “desatanization” of Ukraine via a special military operation (SVO). This military operation can be compared to the Bacchanalia Panic of 186 BCE when the Roman Senate outlawed and criminally persecuted the followers of the Cult of Bachus.
For example, Alexei Pavlov, Assistant Secretary of the Security Council Russia said in an interview that he believes that the Orthodox Church in Ukraine has been targeted by enemies who want to “reformat the minds” of Ukrainians and convert people from Christianity.
A type of mind control called the “Satanic State of Mind” that I keep emphasizing as the origins of immorality and evil in Western culture and is the premise of this book. You see, this is the same exact problem from allowing these Satanic cults to operate openly and unrestrained that had occurred in Ancient Rome.
This Bacchanalian (Satanic) mindset led its followers into what the Roman Commander of the First Julio-Claudian dynasty, Postimus calls “the absolute destruction of the moral personality, the dissolution of the rational individual into the Dionysian collective.”
What Postimus refers to as the dissolution of the rational individual into the Dionysian collective is exactly the same philosophy that I claim happens to people who become Satanists and end up in a destructive ideology that I call the “Satanic State of Mind.”
Postumius said in a speech over 2,000 years ago;
“Unrestrained lust (libido) is a rage (furor) that snatches man into a whirlpool (gurges) of desires. He then is no longer with himself (suum) but with the ones who conspire to commit every evil deed and every crime.
In other words, the Bacchanalia mean the absolute destruction of the moral personality, the dissolution of the rational individual into the Dionysian collective.
The consul goes so far as to say, “whatever wrongdoing (peccatum) there has been in these years, whether in the form of lust (libido), or of fraud (fraus), or of violent crime (scelus), all of it, you may be sure, has its origin in this one shrine. (Ab urbe condita 39.16.2.)”
Like Modern Satanism was imported into the U.S.A. and other Western countries by the Brittish Spy, Aleister Crowley, the Cult of Bachus was also a foreign religion that came to Rome from a different country.
Livy said that the Bacchus cult is an alien religion, imported from Greece via Etruria, which, first, “spread like an epidemic” thereby “infecting the people’s minds with error,” and, secondly, is not performed openly in public but “secretly and at night”.
He tells us about the history of the Bacchanalia “had started as a cult for women, and it was the rule that no man should be admitted. There had been three fixed days in a year on which initiations took place at daytime into the Bacchic mysteries, and it was the custom for the matrons to be chosen as priestesses in rotations” (Ab urbe condita 39.13.).
Livy quotes an account by Hispala who reports:
[Paculla Annia] had performed the ceremonies by night instead of by day, and in place of three days in a year she had appointed five days of initiation in each month. From the time when the rites were held promiscuously, with men and women mixed together, and when the license offered by darkness had been added, no sort of crime, no kind of immorality was left unattempted.
There were more obscenities practiced between men than between men and women. Anyone refusing to submit to outrage or being reluctant to commit crimes was slaughtered as a sacrificial victim. To regard nothing as forbidden was among these people the summit of religious achievement (Ab urbe condita 39.13.9-11).
Livy said a principle of the society is to hold every ordinance of god and nature in contempt. Men, as if seized by fits of madness, gave oracles; and the matrons, dressed as Bacchae, with disheveled hair and burning torches ran down to the Tiber River plunging their torches into the water. But since their torches contained sulphur and chalk, they were not extinguished.
Men who refused to take part in the orgies and crimes were said to be thrown into dark caverns, while the perpetrators declared that they had been carried off by the gods.
Livy said that the Roman Senate decreed that the priests of these rites, male and female, were to be arrested, not only in Rome but in all market-towns and centers of population. They prohibited by law that no one who had been initiated into the Bacchic rites or should attempt to assemble or meet for the purpose of holding these ceremonies or to perform any such religious rite. More especially, it was decreed that an inquiry should be held regarding those persons who had assembled or conspired for the furtherance of any immoral or criminal design (Ab urbe condita 39.14.7-8).
When the meeting was dismissed, according to Livy, there was great panic in the whole City, nor was this confined only to the walls or the boundaries of Rome; but gradually [p. 269] through all Italy, as letters were received from their friends concerning the decree of the senate, concerning the assembly and the edict of the consuls, the terror began to spread.
Many during the night after the day when the revelation was made in the meeting were caught trying to escape and brought back by the guards whom the triumviri had posted at the gates: the names of many were reported.
Livy wrote that men and women, committed suicide. In the conspiracy, it was said, more than seven thousand men and women were involved.
But the heads of the conspiracy, it was clear, were Marcus and Gaius Atinius of the Roman plebs, and the Faliscan Lucius Opicernius and the Campanian Minius Cerrinius: they were the source of all wickedness and wrongdoing, the story went, and they were the supreme priests and the founders of the cult.
It was seen to be that at the first opportunity they were arrested. They were brought before the consuls, confessed, and asked for no delay in standing trial.
Livy describes the immediately following persecutions, which were enacted as question extraordinaria on the basis of the decree as necessary emergency measures. Livy also reports that the measures caused great terror inside and outside of the city, numerous suicides, and a mass flight from Rome. According to Cicero, the measures even included military operations, which makes them appear almost crusade-like (De legibus 2.15.37).
It is my belief that the Cult of Bacchus that was once a small portion of the Roman Empire and was once almost eliminated has now grown today into a massive world-wide army of both complicit and incomplicit soldiers and civilians.
What Russian philosopher, Alexandr Dugin calls, “the Armies of Hell.”
These are the same people today fighting for so-called neoliberal (Libertine), atheistic, woke, and Satanic ideologies such as transgender children, LGBTQ rights, abortion, and the right to do whatever the hell they want to whomever they want regardless of the moral and ethical implications.
The reason is because like Ancient Rome had members of all classes in the Cult of Bacchus, today we have a similar and much sinister problem with the Satanists inserted into every branch of our government, military, religious institutions, and the media.
People who may seem just like you and I but who are secretly controlled by the “Satanic State of Mind,” whether they call themselves Satanists or they know it or not makes no difference.
That is what they are.
As I have said many times, you will know a Satanist (tare) by their fruits (works) or the lack thereof – not by a membership card.
“The kingdom of heaven is like a man who sowed good seed in his field; but while men slept, his enemy came and sowed tares among the wheat and went his way.
But when the grain had sprouted and produced a crop, then the tares also appeared.
So the servants of the owner came and said to him, ‘Sir, did you not sow good seed in your field? How then does it have tares?’
He said to them, ‘An enemy has done this.’ The servants said to him, ‘Do you want us then to go and gather them up?’
But he said, ‘No, lest while you gather up the tares you also uproot the wheat with them.
Let both grow together until the harvest, and at the time of harvest I will say to the reapers, “First gather together the tares and bind them in bundles to burn them, but gather the wheat into my barn.” (Matthew 13:24-13:30)
When Jesus’ disciples were alone with him, they asked him to explain the parable.
Jesus said that the sower of the good seed represented himself and the Apostles; the field represented the world; the good seed, his righteous followers; and the tares, those who followed Satan.
Satan was the sower of the tares.
The harvest represented the end of the world, and the reapers represented the angels.
The Armies of Heavan.
SOURCES:
Titus Livius (Livy), Ab urbe condita libri Book XXXVIII, erklärt von M. Weissenborn
Livy. Books XXXVIII-XXXIX with an English Translation. Cambridge. Cambridge, Mass., Harvard University Press; London, William Heinemann, Ltd. 1936: published without copyright notice.
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
A world-renowned fashion company founded by gay Spanish fashion designer Cristóbal Balenciaga Eizaguirre (1895-1972) is embroiled in controversy for depicting two young girls holding teddy bears in sexual bondage outfits for its latest kidswear collection.
One of the photos shows a child standing atop a bed holding a teddy bear dressed in a fishnet top, with a leather collar, and wrist and ankle restraints and on the table sits a couple of chains about the size of a child’s neck and a dog leash.
Another photo shows a child standing atop a bed holding a purple plush teddy bear dressed in sexual bondage with a muzzle on its mouth in front of a table with various empty wine and champagne glasses,
And on the table in plain view yet hidden from sight is a court document about an important U.S. Federal Court “child porn case” that set precedent for the laws of child pornography in advertising.
The document contains an excerpt from the United States Supreme Court’s case opinion, United States v. Williams that covers federal child pornography law criminalizing “advertising, promoting, presenting or distributing child pornography even if the underlying material does not constitute child pornography.
The law held that virtual pornography did not involve the same harms to children as pornography involving real children. This distinguished it from New York v. Ferber (1982), in which the Court had justified a child pornography exception to the First Amendment’s broad free speech protections based on actual harm to children.”
Is this all a coincidence?
THE MORAL OUTRAGE FROM CONSERVATIVE MEDIA AND THE PUBLIC
Everyone from Fox News’ Tucker Carlson to the Daily Wire’s Candace Owens and hundreds of Twitter users had reported on the incident calling their advertisements “Sayanic,” “horrific,” “absolutely demonic,” “sickening,” and a glamorization of “pedophilia, child exploitation and female abuse.”
A day later after the outrage, Balenciaga shut down its Twitter account as the new CEO, Elon Musk has already begun to seriously crack down on child exploitation on the social media app.
Tucker Carlson was visibly upset as he ranted eloquently about the sickening news calling it a dangerous cult with the sexual exploitation of children and blaming the media for ignoring Balenciaga child ‘bondage’ ad controversy. Here is the video clip on ‘Tucker Carlson Tonight.’
World champion kickboxer and internet entrepreneur, Andrew Tate calls the Western media establishment for what they are, SATANISTS!
The Daily Wire’s, Candace Owens had went on Instagram demanding that Kim Kardashian condemn Balenciaga for exploiting children and challenged her to keep the same energy she used to publicly ‘stand with her friends in the Jewish community’, for standing with children sex traffic victims.
In a previous response to the Rаy J sex tаpe, Cаndаce cаlls Kim Kаrdаshiаn а “prostitute” and her mother Kris Jenner а “pimp.”
In the video, Candace Owens talks about the “pedophile ring in Hollywood” and big brands like Balenciaga “displaying child pornography”. She talks about the Ashcroft versus the Freedom of Speech Coalition
Candice said, “OK, then they shot another photo from the campaign and it’s the same exact campaign. And there is a Balenciaga purse. And under the purse there’s a lot of papers. When you zoom in to the papers, what you will see is it is a Supreme Court decision. The Supreme Court decision was Ashcroft versus the Freedom of Speech Coalition.” “The Freedom Coalition for Speech. Right.
That was a decision that the Supreme Court struck down certain aspects of child, virtual child pornography. Okay?
So essentially, they are putting these papers that were the Supreme Court’s decision to struck down certain laws pertaining to virtual child pornography under the purse so there is no confusion as to where they stand,” she said.
Candace Owens continued;
“They are happy that the Supreme Court decided to get rid of virtual child pornography laws which now allows them to have these children that are holding these bears that are in BDSM poses. I am so disgusted. I am angry. I want to be shrinking. Like I said, I’m trying to stay calm in this,” she said.
You can watch the Candace Owen video on Instagram here:
“Why would a multi-million-dollar fashion company like Balenciaga run ads for their “Object Line” using children holding teddy bears in bondage costumes? Why would they place a copy of a court document on child pornography in the ad? Who are targeting and what are they promoting?” one user questioned.
“Another photos from Balenciagas new ad campaign. A model with makeup to look like she has Black eyes. Now now only is Balenciaga glamourising child abuse it’s also glamourizing violence against women!” one Twitter user tweeted, posting a photo of a Balenciaga model with a black eye and damaged face who is holding one of the fashion house’s teddy bears.
Another user speculated that this was the reason the brand left Twitter: “I thought people were trolling, but nope. It’s real. Maybe this is why Balenciaga left Twitter. They don’t want to be held accountable.”
“This trend of pushing boundaries using sex kinks to look edgy is filtering from advertising to adults, to now children. It isn’t edgy or disruptive. [It’s] ethically wrong,” one user said.
Balenciaga apologized on Instagram Stories by stating;
“Our plush bear bags should not have been featured with children in its campaign. We have immediately removed the campaign from all platforms. The brand claimed to take this matter very seriously and is taking legal action against the parties responsible for creating the set and including unapproved items for its Spring 2023 campaign photoshoot.
“We strongly condemn abuse of children in any form. We stand for children’s safety and well-being,” Balenciaga added.
Why would Balenciaga be ignorant of or create marketing implying child pornography?
Since day one, the Spanish clothing brand has been mainly operated by homosexual men. While this does not mean in itself that they are guilty of exploiting children, it does raise suspicion on their motives for using young children in sexually explicit clothing and bondage for advertising and then calling it art.
There are not many sane straight people who would think about dressing children as young as 3 years old in sexual bondage outfits to sell clothing.
A day after the controversy broke out, Balenciaga appeared to be laying the blame on Italian photographer Gabriele Galimberti for their controversial campaign. Meaning that Galimberti was the only one responsible and had complete creative control over the brand’s marketing .
The notion that Balenciaga were ignorant to the fact that their hired photographer, Galimberti was solely responsible for a kiddie BDSM photo shoot that also featured a document relating to child porn is utterly absurd.
But, it is worth noting that Gabriele Galimberti is a travel photographer who coincidentally likes to take pictures of young children around the world for his projects like a set of photos called Toy Stories. His work has been published in many popular magazines such as National Geographic.
Many of the portraits were taken in the kids’ rooms.
The clothing brand’s creative director is a homosexual man named, Demna Gvasalia and he is also the co-founder of Vetements. He was just voted one of Time’s 100 most influential people in the world.
Two days after the scandal, Kim Kardashian completely ignored the outrage by going on Instagram to share a photo of herself wearing a new Balenciaga outfit and Adidas apparel on November 21, 2022 as she exited her $600K custom Lamborghini.
Then some armchair investigative journalists found some more disturbing information on the Balenciaga website. A photo with a book from an artist named, Michael Borremans who likes paintings naked toddlers playing with severed human body parts covered in blood calling it art.
This is the artist whose book was in the Balenciaga ad campaign.
There’s a book in one of Balenciaga’s photos that’s written by Michaël Borremans, an artist who created “Fire from the Sun,” which is a series of paintings depicting naked toddlers. pic.twitter.com/77ERZMyZPL
“In the most evident terms, Fire From The Sun portrays children aged two or three in various stages of play with fire and what appear to be human limbs, even hair. The children are all light-skinned Sistine-style cherubs, sometimes covered in blood. The children do not appear to be distressed or disturbed (though some viewers at the gallery may be).
The drama of the paintings is heightened by their visual connection to each other—and, more broadly, to older works by Borremans. The scene in each painting is composed against a similar beige backdrop. This is a set or a stage, devoid of context, withholding of answers, but suggestive of a director or someone watching.”
Tylevich continues:
“The paintings live in the seductive space of metaphor and possibility, which can stretch beyond the artist’s intentions. Borremans created this body of work specifically for the opening; he knew that a local reading of it would have global variations.
Having travelled from Los Angeles to attend the opening, I juxtaposed these paintings against the morning’s news: against cavalier acts of violence and bloody origins, against history’s unwillingness to be erased, no matter the pressure to do so.
I heard other interpretations while there, and so did the artist: that the paintings examine the loss of innocence, that they are a caricature of original sin, that they meditate on hypocrisy, that they demonstrate human capacity to be at once good and evil.”
This book is from his art collection called, “Fire from the Sun.” The book was published by Simon & Schuster.
Naked children with bloodied body parts are throughout the book:
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
