Thus the Stars of Boötes rose in the East immediately after Vindemiatrix, and as if under the genial influence of its rays; he had his annual career of prosperity; he revelled orientally for a quarter of a year, and attained his meridian altitude with Virgo; and then, as the Stars of the Water-Urn rose, and Aquarius began to pour forth his annual deluge, he declined Westward, preceded by the Ark of Osiris. In the East, he was the sign of that happiness in which Nature, the great Goddess of passive production, rejoiced. Now, in the West, as he declines toward the Northwestern horizon, his generative vigor gradually abates; the Solar year grows old; and as his Stars descend beneath the Western Wave, Osiris dies, and the world mourns.

The Ancient Astronomers saw all the great Symbols of Masonry in the Stars. Sirius still glitters in our Lodges as the Blazing Star, (l’Etoile Flamboyante). The Sun is still symbolized by the point within a Circle; and, with the Moon and Mercury or Anubis, in the three Great Lights of the Lodge. Not only to these, but

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to the figures and numbers exhibited by the Stars, were ascribed peculiar and divine powers. The veneration paid to numbers had its source there. The three Kings in Orion are in a straight line, and equidistant from each other, the two extreme Stars being 3° apart, and each of the three distant from the one nearest it 1° 30′. And as the number three is peculiar to apprentices, so the straight line is the first principle of Geometry, having length but no breadth, and being but the extension of a point, and an emblem of Unity, and thus of Good, as the divided or broken line is of Duality or Evil. Near these Stars are the Hyades, five in number, appropriate to the Fellow-Craft; and close to them the Pleiades, of the master’s number, seven; and thus these three sacred numbers, consecrated in Masonry as they were in the Pythagorean philosophy, always appear together in the Heavens, when the Bull, emblem of fertility and production, glitters among the Stars, and Aldebarán leads the Hosts of Heaven (Tsbauth).

Algenib in Perseus and Almaach and Algol in Andromeda form a right-angled triangle, illustrate the 47th problem, and display the Grand Master’s square upon the skies. Denebola in Leo, Arcturus in Boötes, and Spica in Virgo form an equilateral triangle, universal emblem of Perfection, and the Deity with His Trinity of Infinite Attributes, Wisdom, Power, and Harmony; and that other, the generative, preserving, and destroying Powers. The Three Kings form, with Rigel in Orion, two triangles included in one: and Capella and Menkalina in Auriga, with Bellatrix and Betelgueux in Orion, form two isosceles triangles with β Tauri, that is equidistant from each pair; while the first four make a right-angled parallelogram,–the oblong square so often mentioned in our Degrees.

Julius Firmicus, in his description of the Mysteries, says, “But in those funerals and lamentations which are annually celebrated in honor of Osiris, their defenders pretend a physical reason. They call the seeds of fruit, Osiris; the Earth, Isis; the natural heat, Typhon: and because the fruits are ripened by the natural heat, and collected for the life of man, and are separated from their marriage to the earth, and are sown again when Winter approaches, this they would have to be the death of Osiris: but when the fruits, by the genial fostering of the earth, begin again to be generated by a new procreation, this is the finding of Osiris.”

No doubt the decay of vegetation and the falling of the leaves,

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emblems of dissolution and evidences of the action of that Power that changes Life into Death, in order to bring Life again out of Death, were regarded as signs of that Death that seemed coming upon all Nature; as the springing of leaves and buds and flowers in the spring was a sign of restoration to life: but these were all secondary, and referred to the Sun as first cause. It was his figurative death that was mourned, and not theirs; and that with that death, as with his return to life, many of the stars were connected.

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