by Moe | May 2, 2015 | History of the Brotherhood
I am the Irish Tsar of Lies and you may not know who, but I will give you a little clue.
I like magickal trix for kids, wear all black and my name reveals I work for the Tsars.
My clothes and name clearly tell you who I truly am, and I ain’t from Mars.
Even my eyes shine the darkness of the brilliance of my low down scheme.
For those that seek light, I bring to you darkness, that is my part on the team. (more…)
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
by Moe | May 1, 2015 | History of the Brotherhood, Irish History, Meaning of Words
The name Ireland is derived from an ancient Phoenician (Hebrews and Cretan) name Eriu, and 
examples of the various spellings you will find are Eri, Ere, Erin, Erin, Ire, Ierne, and Iran. The name Ierne, Kerne, or Herne was also the most westerly Phoenician settlement on the coast of Africa.
In Irish mythology Erin is the daughter of Ernmas of the Tuatha Dé Danann. Erin was known as the ancient Triple Goddess of Ireland, and the Tuatha Dé Dannan means followers of the feminine, divine, or dannan meaning Lady. The Latin name for Ireland is Ibernia. Everywhere the Phoenicians had travelled in the world, they brought with them their religion of the Goddess. This is evident in every single country they colonized such as Ireland whom they named. Hence, the Land of Erin or Erin Land dedicated to the Goddess. (more…)
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
by Moe | Apr 30, 2015 | Alchemy
By Paracelsus (The Swiss Hermes) – Let it be for you a great and high mystery in the light of nature 
that a thing can completely lose and forfeit its form and shape, only to arise subsequently out of nothing and become something whose potency and virtue is far nobler than what it was in the beginning.
Nothing has been created as ultima materia–in its final state. Everything is first created in its prima materia–its original stuff; whereupon Vulcan [or transmuting fire] comes, and by the art of alchemy develops it in its final substance. . . . (more…)
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
by Moe | Apr 29, 2015 | Meaning of Symbols
Here are some images of an ultra cool modern invention of an energy and healing pyramid that reminds me of the Egyptian Pyramids. It was invented by some genius named Beciu Niculina. I assume he modeled it after the Egyptian Pyramids. The inventor says it can be used for body relaxation, meant to be used as therapeutical means in the field of complementary and alternative therapies. (more…)
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
by Moe | Apr 28, 2015 | Meaning of Symbols
What is here is elsewhere, what is not here is nowhere. There is nowhere to get to, it is all here now. These famous quotes are from the Mahabharata which is the great epic of India, comprised of 100,000 verses.
“Some quotations include “Any brahman knowing the four Vedas, including the sciences based upon them and the Upanishads, but does not know ‘this tale’ (the Mahabharata) would not be considered a truly wise man; the Mahabharata is for all practical purposes considered the fifth Veda.
No story is found on earth which does not depend on this tale… What is here is elsewhere, what is not here is nowhere.”
The work recounts the events before, during and after the great battle for kingship waged at Kuruksetta between the Pandavas and Kauravas branches of the Kuru lineage of descendants of Bharata (whence is derived the Sanskrit meaning of the Mahabharata, “the great [tale of] Bharata’s descendants”). Also the epic contains didactic material of encyclopedic proportion (particularly in books 12 and 13, the Santi- and Anusasana- puranas), along with elaborate genealogies and much myth and legend (especially in books 1 and 3).
The sage, or seer, Vyasa (Krishna Dvanpayana), is thought to have composed the epic and taught it to his student Vaisampayana who in turn performed the first recitation of the work at a snake sacrifice” conducted by King Janamejaya; the purpose was to inform the king of the deeds of his ancestors. Then the epic was carried by the bard Ugrasravas to the forest sacrifice of the brahman Saunaka.
Actually, the Mahabharata in its present form was composed over a long period of time, c. 400 BC to 400 AD. Over this time period various groups influence its development, which is still reflected. They were warriors and their bards, brahmans, and devotees. The action of the Mahabharata simultaneously proceeds on several levels. First is the typically Indo-European heroic tale of the battle of good against evil, modeled after the specifically Indo-Aryan version of the theme, the devas (gods, here incarnate in the Pandavas) against the asuras (demons, reflected in the Kauravas, who incarnate raksasses). From this point of view, the Kuruksetta war is visualized as a gigantic sacrifice conducted by semi-divine epic heroes. Mixed with this semi-mythical material is consideration of the human-centered issue of the decline of dharma at the onset of Kali-yuga, the present degenerate age of history, which the Mahabharata conceives as having begun at the time of the Kuruksetta war. Dharma suffered a huge setback at the Pandava-Kaurava dice game played early in the epic. From then on, the lines of right and wrong were drawn less clearly than the Indo-European substructure of the epic might cause one to expect, for example the “good” Pandavas defeat the “evil” Kauravas, but only by trickery and deceit. One high point of human uncertainty in the work is the episode of the Bhagavad-Grita, in which the Pandava hero Arjuna casts down his weapon before the war begins, dismayed at the prospect of having to fight against his relatives and elders on the other side. In the Bhagavad-Grita and throughout the Mahabharata, it is a “Hindu” element, revolving particularly around the character of the god Vishnu, incarnate as Krishna, and his alliance with the Pandavas, which resolves the tension. “Where Krishna is there is dharma…there is victory.” Orchestrated by Krishna, the Kuruksetta war is a cosmic event. Through its emphasis on Krishna, theMahabharata becomes the locus of a bhakti (devotional) synthesis, which characterizes Hinduism from this time onward. The stage production of Peter Brook (1985) was filmed in 1989. A.G.H.
Source:
Bowker, John, The Oxford Dictionary of World Religions, New York, Oxford University Press, 1997, pp. 598-599
http://www.themystica.org/mystica/articles/m/mahabharata.html
Moe is the founder of GnosticWarrior.com. He is a father, husband, author, martial arts black belt, and an expert in Gnosticism, the occult, and esotericism.
