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drew up the akasa in a concentrated current through the plant towards his hands, and by keeping up an unintermitted flow for the requisite space of time, the life-principle of the plant built up cell after cell, layer after layer, with preternatural activity, until the work was done. The life-principle is but a blind force obeying a controlling influence. In the ordinary course of nature the plant-protoplasm would have concentrated and directed it at a certain established rate. This rate would have been controlled by the prevalent atmospheric conditions; its growth being rapid or slow, and, in stalk or head, in proportion to the amount of light, heat, and moisture of the season. But the fakir, coming to the help of nature with his powerful will and spirit purified from the contact with matter, condenses, so to speak, the essence of plant-life into its germ, and forces it to maturity ahead of its time. This blind force being totally submissive to his will, obeys it with servility. If he chose to imagine the plant as a monster, it would as surely become such, as ordinarily it would grow in its natural shape; for the concrete image — slave to the subjective model outlined in the imagination of the fakir — is forced to follow the original in its least detail, as the hand and brush of the painter follow the image which they copy from his mind. The will of the fakir-conjurer forms an invisible but yet, to it, perfectly objective matrix, in which the vegetable matter is caused to deposit itself and assume the fixed shape. The will creates; for the will in motion is force, and force produces matter.

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If some persons object to the explanation on the ground that the fakir could by no means create the model in his imagination, since he was kept ignorant by Jacolliot of the kind of seed he had selected for the experiment; to these we will answer that the spirit of man is like that of his Creator — omniscient in its essence. While in his natural state the fakir did not, and could not know whether it was a melon-seed, or seed of any other plant; once entranced, i.e., bodily dead to all outward appearance — the spirit, for which there exist neither distance, material obstacle, nor space of time, experienced no difficulty in perceiving the melon-seed, whether as it lay deeply buried in the mud of the flower-pot, or reflected in the faithful picture-gallery of Jacolliot’s brain. Our visions, portents, and other psychological phenomena, all of which exist in nature, are corroborative of the above fact.

And now, perhaps, we might as well meet at once another impending objection. Indian jugglers, they will tell us, do the same, and as well as the fakir, if we can believe newspapers and travellers’ narratives. Undoubtedly so; and moreover these strolling jugglers are neither pure in their modes of living nor considered holy by any one; neither by foreigners nor their own people. They are generally FEARED and despised by the natives, for they are sorcerers; men practising the black art. While such a holy man as Kavindasami requires but the help of his own divine soul, closely united with the astral spirit, and the help of a few familiar pitris — pure, ethereal beings, who rally around their elect brother in flesh — the sorcerer can summon to his help but that class of spirits which we know as the elementals. Like attracts like; and greed for money, impure purposes, and selfish views, cannot attract any other spirits than those that the Hebrew kabalists know as the klippoth, dwellers of Asiah, the fourth world, and the Eastern magicians as the afrits, or elementary spirits of error, or the devs.

This is how an English paper describes the astounding trick of plant-growth, as performed by Indian jugglers:

 “An empty flower-pot was now placed upon the floor by the juggler, who requested that his comrades might be allowed to bring up some garden mould from the little plot of ground below. Permission being accorded, the man went, and in two minutes returned with a small quantity of fresh earth tied up in a corner of his chudder, which was deposited in the flower-pot and lightly pressed down. Taking from his basket a dry mango-stone, and handing it round to the company that they might examine it, and satisfy themselves that it was really what it seemed to be, the juggler scooped out a little earth from the centre of the flower-pot and placed the stone in the cavity. He then turned the earth lightly over it, and, having poured a little water over the surface, shut the flower-pot out

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